IDAT504- Negotiated Practice A

Logic: PC: - PHP: RSS + translate program with WIFI connection and store in mySQL (must be mySQL 5.0 and php 5.0+) - PC app: query the mySQL for any new marker, extract the text content and pass to Phone 1-5 via BT with delay function, after all send out message, update the db...
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Assignment submission: http://siusoon.com/dat/projects/npa_critique.pdf The transformation of Curating by using digital technology Having six International artists selected from the open call was the kick-start point of VoxBox. By using digital technology, it shapes the curatorial production strategy through dynamic network systems. By distributing the ‘online project brief’, selected artists start their production journey with on-going...
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Reference: CURATING IMMATERIALITY: THE WORK OF THE CURATOR IN THE AGE OF NETWORK SYSTEMS’ by  Joasia Krysa “the practice of curating cannot be dissociated from social and technological developments.” “in the late 1960s, Jack Burnham’s work emerged at a time when the field of digital computing and the conception of the Internet were in...
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Reference: MUSEUMS AND THE WEB 1998 Source: http://www.archimuse.com/mw98/papers/dietz/dietz_curatingtheweb.html Curating (on) the Web Steve Dietz, Director of New Media Initiatives, Walker Art Center “it can safely be said that they are primarily in the business of dissemination of information rather than artifacts. The advantage to thinking in terms of information is that it validates the...
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=> how information technologies have changed the practice of curating =>”curating itself can be described in terms of open systems, implying a state in which there is continuous interaction with the socio-technological environment.” =>”software opens up curating to dynamic possibilities and transformations beyond the usual institutional model (analogous to the model of production associated...
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Reference: INTERNET-BASED ART IN THE REAL SPACE Written by Sabine Hochrieser, Michael Kargl, Franz Thalmair Proofreading/corrections by Dörte Eliass http://cont3xt.net/blog/?p=1270 => reflects upon strategies of how artistic creation on the Internet and the translational processes of its re-formulation in the real space can be combined to develop appropriate presentational modes => as termed in...
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Reference 1: http://theorynow.blogspot.com/2007/10/matter-of-immateriality.html by Mark Cameron Boyd “Barry points out that visuality is irrelevant to art and art could be as much about invisible physio-chemical constituents.” Reference 2: Video: The Myth of Immateriality – Presenting & Preserving New Media by Paul, Christiane pdf slide on showing the details by Paul, Christiane She focused on...
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Thanks dave to bring up this term: - wikipedia - book preview in google (Phenomenology of Perception) - Phenomenology(Stanford Encyclopedia of Philosophy) “We perceive the world through our bodies; we are embodied subjects, involved in existence” “Literally, phenomenology is the study of “phenomena”: appearances of things, or things as they appear in our experience,...
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Explain on class, hacking, education, globe, history, information, nature, production, property, representation, from different angles of capatalist / vectoralist / pastoralist, hacker. (pastoralist class in possession of pastures or farmlands, a capitalist class in possession of factories and forges, or a vectoralist class in possession of stocks, flows and vectors of information) MUST READ...
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Visualize the acoustic soundscape (which I am thinking to have some interesting sound piece recorded) to an image / installation or use software for special edit. some interesting sound example: e.g -the rhythmic sound of traffic light, the machine of ‘press the button before crossing the road’ -the repetition of the language of pigeon...
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