Reference: Dickie, George. Art and the Aesthetic. London: Cornell University Press, 1974. p.20:Imitation theory -> deal w/ subj matter, Expression Theory -> deal w/ emotion Art as representational e.g painting, sculpture => imitation theory.. “The imitation theory focused on a readily evident relational property of works of art, namely, art’s relation to subject matter.”...
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re: Art and the Aesthetic by George Dickie (1974)
Re: The State of the Real: Aesthetics in the Digital Age by Sutton, Damian., et al., eds.
Reference: Saether, Susanne Ostby. “Between the Hyperrepresentational and the Real: a sampling sensibility. ” in The State of the Real: Aesthetics in the Digital Age. Sutton, Damian., et al., eds. New York: I.B. Tauris, 2007. pp.48-61. apparent paradox between digitalization (reproduction of media) and the real. => multiple copy e.g photography..”realis aesthetic.” p.49: “reproduction...
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Re: Telematic Embrace (2007)
Reference: A.Shanken, Edward. Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness by Roy Ascott. Berkeley: University of California Press, 2007. From Cybernetics to Telematics: The art, Pedagogy, and Theory of Roy Ascott by Edward A. SHANKEN p.1: “Telematics integrates computers and telecommunications” p.1: “defined telematics as ‘computer-mediated communications networking between geographically dispersed individuals...
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